Alisson Machado
producer and director
He studied and experimented with several audiovisual areas, such as direction, cinematography, sound capture, editing, and finalization, but he really established himself as a producer. He is a natural born investor, both in his background and in new projects and talents. As a producer, he has been very active in the realization of independent authorial films.
CLIPPING ALISSON MACHADO
André Carvalheira
director
André Carvalheira has been in the audiovisual career since 1996. He graduated in cinema at ESEC (École Supérieure d’Études Cinématographiques, Paris/France) and works mainly as a director of photography, but also as a screenwriter and director. As director of photography he made 15 feature films, among them the documentaries Tancredo: A travessia, by Silvio Tendler and Rock Brasilia: a era do ouro, by Vladimir Carvalho, and the fictions Comeback - um matador nunca se aposenta, by Érico Rassi, Ainda Temos a Imensidão da Noite, by Gustavo Galvão and O Último Cine Drive-in, by Iberê Carvalho. He directed five short films, among them A dança da Espera and Dia de Folga (Best Screenplay in the 39o Festival de Brasilia do Cinema Brasileiro), and one feature film: New Life Inc. (Best Feature Film of Brasilia at the 51o Festival de Brasilia do Cinema Brasileiro and selected in the competitive section of the 34th Warsaw Film Festival).
Hudson Vasconcelos
direct sound technician and musician
He has been working in Audiovisuals for 12 years, but has been involved with home recording and sound experiments since he was a teenager "when everything was analog". He worked on the feature films De Volta ao Jardim, by Marcelo Diaz, A Repartição do Tempo, by Santiago Dellape, Eu Sou Mais Eu, by Fábio Zanoni, Plano B, by Getsemane Silva and on more than 25 short films, among which are Retratos da Alma, by Léo Bello, Para Minha Gata Mieze, by Wesley Gondim, Meu Amigo Nietzsche, by Fáuston da Silva, and in the TV series and programs Antena da Raça, by Paloma Rocha, Amanajé, o Mensageiro do Futuro, by Flávia Neves, Cidade Invisível, by Thiago Foresti, Programa Doc TV IV - Filhos do Jaú, by Eliana Andrade among others.
Olivia Hernández Fernández
Sound Designer & Sound Recordist
She works in all steps of sound design: direct sound capture, sound editing and mixing. She graduated in audiovisual in Cuba from the Facultad de Medios de Comunicación Audiovisual del Instituto Superior de Arte de Cuba - ISA, in the sound specialty. She also graduated in the sound specialty (sound design, direct sound and mixing) from the regular course at the Escuela Internacional de Cine y TV de San Antonio de los Baños - EICTV. Among her works as a sound designer are the feature films: Marés (2018), New Life Inc. (2018), Cuba Jazz (2017) and the short films Rosinha (2016), Riscados pela Memória (2018), and several others. As a direct sound technician, she made the feature films Teoria do Ímpeto (2018), O processo (2018), Irremediavelmente Juntos (2012), among others.
Sérgio Azevedo
Editor
Film and video editor in fiction, documentary, video art and advertising projects since 2002. Editor of the documentaries Rock Brasilia - Era de Ouro by Vladimir Carvalho; T-Bone - Açougue Cultural by Alisson Machado and Plano B by Getsemane Silva, nominated and awarded in national and international film festivals such as the Grande Prêmio do Cinema Brasileiro e Festival de Brasilia do Cinema Brasileiro. Partner of Argonautas, specialized in audiovisual editing and finishing.